WEBVTT
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All. My gal is pretty.
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She is so sweet. Oh.
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Speaker1: How divine. On. And she's all mine. my girl. My girl. She has
some wonderful way, some wonderful ways. My gal, my gal is just as nice as
can be. As nice as can be She's got that come and get me style.
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And the million dollar smile. What a.
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Speaker1: Smile. She won my heart. And now she's some sweet bomber to me.
So cute and pretty. My gal, she's got everything. And then some more. She's
the kind of gal that I've been yes, looking for. And when she does a little
this. And when she does a little that all you'll admit, my gal. Gal's got
everything and then some more. She's the kind of gal that I've been. Yes,
looking for. And when she does a little bit and when she does a little that
all you'll admit, you'll admit I've got a wonderful gal. My Gal.
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Oh, my. Out.
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Speaker1: A line that I heard on a tape earlier tonight is. We could
listen to you all night. I think that's a nice one. You're a really great
audience. Uh, coming from. I've forgotten Japan, Okinawa or somewhere. One
of those endless planes we've been riding on. We happen to get on an
airplane, and sitting in the seat right in front of us was a woman holding
a little baby in her arms, and the seat next to her was empty. I. Pretty
soon along came a guy who'd been in the bar too long. He was really
smashed, and he sat down right beside her, and he looked over and he looked
again and he said, lady, that's the ugliest baby I've ever seen in my whole
life. Boy, she really got mad. She pushed the buzzer for the stewardess,
and the stewardess comes back and she says, you get this repulsive
individual out of here before I sue this airline for every penny it's
worth, get him out of here immediately. On and on. She's really steamed. So
the poor stewardess, she gets the guy up, steers him up to the front of the
plane and puts him down in another seat. She came back a minute later, all
apologetic and really, really sorry this had to happen. I'm really sorry
about this. If you'll just calm down, I'll bring you a nice hot cup of
coffee. And I'll see if I can find a banana for your monkey. Oh, well, we'd
like to. We'd like to. I kind of like that one myself. We'd like to change
the pace a little bit and go to a real good what I. What I call real good
barber shop. And we've got a couple people out in the audience that will
just die for this one. Commander Hellman and his wife, Mary. They fit us so
much I can hardly breathe. But we'll try and do this one anyway. A good old
barber shop ballad. I forget the name. Dear old pal of mine. Oh. All. All
my life is empty since I went away. Skies don't seem to be so clear.
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Skies not clear.
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May some angels sentry guard you while I stretch. And they'd be kind to
join us once we did. One sweet day.
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I. Oh, how I miss.
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Speaker1: You, dear old pal.
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Of. mine.
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Speaker1: Each night and day I pray you're always mine sweetheart. May
God bless. Angel hands caress you. While sweet dreams rest you.
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Dear old pal of mine.
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Speaker1: Sweetheart, may God bless. You. Angel hands caress you. While
sweet dreams rescue.
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Dear old pal.
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Speaker1: Pal of mine.
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I'm. Thank you very much.
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Speaker1: Now we would like to we would like to thank Commander Hellman
and his lovely wife, Mary, for a wonderful meal and very, very hospitable
treatment so far. Our deepest and sincere thanks. Now, we would also like
to announce here that barber shopping is a way of life for some of us in
the States and some of the places over here. There are a lot of people that
would like to start a chapter or try to get some started. And I'd like to
announce that anybody, anybody that is interested in. Barbershop singing.
Please come backstage after the performance. You'll be more than welcome
and we can talk to you. So if anybody feels like you'd like to sing at all
and you don't have to be a professional singer, you know you don't have to
be a soloist. This is only a hobby with us as it is with all barbershop
quartets. And you certainly don't have to be a professional. So please, if
you're interested in barbershop harmony or barbershop singing, United for
quartet, maybe in the chorus, come back stage and you'll be more than
welcome and we can talk to you. Now traveling for the society as we do. We
get all around the United States. We do see and hear some things that we
think are rather cute, but sometimes out of the mouths of children comes
things that are as cute as you'll find anywhere.
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Speaker1: A very good friend of my eldest daughter is a young couple, and
the girl, uh, just gave birth to triplets. Three girls, and they already
had a four year old little boy. So the father naturally had felt quite
proud about this feat. And he had been telling a little boy about the three
little sisters that he was going to get. So finally, the big day came and
mother and the three little girls came home from the hospital. So they took
him up, you know, and put each one in a separate little crib. And father
very proud. He took a little boy around and showed each little sister to
the little boy. So finally he said to little boy, he said, son. What do you
think? Now the little boy thought a minute. He looked up at his dad and he
says, dad. He says, you're going to have to get busy on that phone. They're
going to be a lot harder to get rid of than kittens. Now we'd like to let
our hair down a little and do the Spaniard who blighted my life. We do the
song, but we don't let sound any more here.
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Hard to cover this. Now. Ah.
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Speaker1: Listen to me. while I tell you Of the Spaniard who blighted my
life. Bom bom bom bom bom bom bom. Listen to me.
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Well, I tell you, of the man who.
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Speaker1: Your wife was at a bull fight where we met him. We'd been
watching his daring display. And while I'd gone out for some nuts and a
program, the dirty dog stole her away.
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Oh, yeah. Oh, yes. Oh, yeah.
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Speaker1: And I swear that I'll have my revenge. For revenge, I got you.
Alphonso's! Begonia! Toreodor Da da da da dum bum bum bum bum. Bum bum bum.
With a mighty swipe I will dislocate his belly. Dum da dum bum bum bum bum
bum bum bum bum I'll find his bullfighter I will. And when I find a
bounder, the blighter I'll kill. He shall die, he shall die, die, die, he
shall die, die, die die die die die die. I. I that was my solo.
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He sat down. Time for.
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Speaker1: Now. Raise a bunion on his Spanish onion if I catch him bending
tonight.
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Ole. Thank you. Thank you, music lovers.
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Speaker1: You know, in order to stay in shape, to sing with these younger
fellows. And I didn't have a chance to dye these gray ones. Before we come
out here tonight. I do a little basketball officiating during the season,
and I handle mostly grade school games because you can understand there's
not quite as much running involved. Last year I had a game between two
teams, and the one team had a little boy about this big, a real good
basketball player. But one of these referee and umpire hecklers, you know
the type. The first time I called a foul on our team, what do you think
you're doing? Why don't you learn the rules? You know, that sort of thing.
And every time I call a foul on our team, he got on my back. So about two
thirds of the game had gone by and it was a close game. And I had to call a
foul on our team. And when I did, he got on my back. So I thought, well, I
better put a stop to this. So I called Tom and walked over to the bench and
I put the ball down and as I said, he was about this big. I put my hand on
his head and looked down at him, real stern like.
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Speaker1: And I said, listen here, young fella, if you don't stop and I'm
going to chew your head off. He looked up at me and he said, if you do,
you'll have more brains in your belly than you got in your head. I didn't
call another foul on their team. Now, we would like you to picture
yourselves in any auditorium, one like this, or any one similar to it, that
you could watch an opera, particularly the opera Rigoletto. In this opera
there is an aria entitled La donna e mobile. We'd like to give you our
version of that area now featuring, of course, one of the better voices in
the quartet. Mike, thank you very much. I'll try to say this just as I was
told to say it. Featuring our own lead, Walter Eibeck. Yeah. Um. Bom bom
bom bom bom bom bom bom bom bom bom bom bom. La donna e mobile. Qual puma
vento a moutarde. Accento. 80. Pensiero. All. Rah rah rah rah rah rah rah
rah rah rah rah rah rah rah. La la la la la la la. Sent on a mobility
control by soul and soul. Amen. On your head. Row, row, row your boat
gently down the stream.
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Merrily. We merrily life is but a dream. Dardani.
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Speaker1: Mobile. Qual. Piuma. Vento.
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Oh, no. Tara.
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Speaker1: Tall elephants. La la la la la. Friendship. 80%. 80%.
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He had. Hey hey hey hey.
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G a pension. We. Bom bom bom bom bom bom bom bom bom bom bom bom bom. Hey,
Sam, play Mr. Psofida. Kill a confident a marcato. Will cawd. Yama. Yama?
What do you think of that? Yama, Yama. Look, his head is flat. La la la la
la la la la la la la la la la la la la. For my dance. Santasi, Felicia Pina
key Sukhasana and Aliba for more. Oh my. Monet. No, she's not quite as
skinny as me. He. She's all for me. My. Murray.
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My Murray, my Murray. Three.
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La donna e mobile. Qual. Puma vento. Oh, no. And Paul Eribon said. Tim.
Hey, Copasi. Don't be mad. Hey, you gotta do the thing. Finish off the
thing. Hey, Figaro! We gotta go. Let's go. We are surprised. Really? Ladies
and gentlemen. Congratulations. In order for our Walter today. He's 20
years married and he's still in love with the same woman. If his wife ever
finds out, she'll kill him. Gunsmoke takes a little bit of training. People
like to hear something really high crimes. They like to hear something a
little culture to it. But men like this, every time I do something like
that, like this, the other guys come up and sing with me, or.
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Anyone do that stuff like that. He forced them like that all the time.
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80% share. Air. He upends. There are. Oh nuts.
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Thank you. Thank you very, very much. We were coming back anyway.
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Speaker1: Yeah, it's in our contract. We had to come back anyhow here in
Walter do that aria. Reminds me of the Italian people so much. They love
opera over there. No matter what they sing on the stage, it's always Bravo,
bravo! Encore, encore! So this night, there was a fella out on a stage
doing his aria, and he was doing a lousy job of it. But no matter. They
love opera so much as Bravo, bravo! Encore, encore. So he comes out and he
does it for the second time. At this time, it was twice as lousy as the
first time. But no matter, they love opera so much, it's. Bravo, bravo!
Encore, encore! So he staggers out on the stage for the third time. He
says, please, ladies and gentlemen, no one can sing an aria over three
times in a row. One. Little pies on up and a balcony leans over and he said
you were going to keep singing it over.
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And over again until you get it right.
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Speaker1: Thank you. You know, each quartet, or I should say, most
quartets, every four guys in the quartet usually feel as though they have
the best solo voice. Our quartet is no exception. However, to alleviate any
problems that might arise, sometimes from wanting to sing solos, I arrange
a song a few years ago which features two of our members, Al Hedrick, our
tenor, and John Parr, whom you heard before our bass singing solo parts,
and the song is taken from Hans Christian Andersen, and the title of it is
Anywhere I Wander. Walter arranged this all by himself. And that's why we
call Walter. The loan arranger. Get back!
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Anywhere I wander, anywhere I roam. Um. Her. Arms were warm as they
welcomed me.
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Her.
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Eyes were far. .
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Speaker1: Bright.
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And though I knew that our path must.
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Speaker1: Be through the.
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Ever haunted. Tonight. For
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Speaker1: Anywhere I wander, anywhere I roam. Um. Till I'm in the arms of
my darling again. My heart.
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Will find. No.
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Speaker1: Home anywhere I wander. Anywhere.
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I roam her.Voice was all. Such a song.
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Speaker1: His her love.
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He gently told. And in her. Eyes was the tenderness.
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I may never more behold. But anywhere I wander, anywhere I roam till I. I'm
in the arms of my. Darling again. My heart.
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will find. No. Oh.
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Speaker1: Anywhere I wander. Anywhere I roam.
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Well. I. Um. Thank you. Thank you.
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Speaker1: Thank you very much. Now, I would like to take it back and do a
real old time barbershop ballad entitled On the Hill, where we made sweet
cider.
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I get that? Oh!
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Speaker1: Get him! John! Right here. Up on the hill. On the hill where we
made sweet cider. I made sweet love to you. We love to you bum, bum. The
old mill was turning. As I sat there yearning for one kiss. The sweetest I
knew. On the hill. On the hill by the old town chapel. Those evening bells
will chime. I'll always remember that golden September. Sweet tired time
when you were mine. Sipping cider through a straw too. La la la la la.
Sweetest girl I ever thought wa la la la la la la la. Where we made sweet
cider I made sweet love to you. La la la. Bum bum. The old mill was
turning. As I sat there. Yearning for what is the sweetest I knew. Now on
the old town chapel. Those evening bells will chime. Time. I'll always
remember that golden September. Sweet cider time when you were sweet cider
time when you were sweet water.
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Ain't you got no home?
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Speaker1: If anybody can stand it, there'll be a movie right after this
performance. No kidding. That's what he told me back there. Now, before,
when all the lights were out or something. Oh, no. That shows his age. When
the lights are on before I. When I was down to the audience, I had a chance
to look for a few minutes at all the lovely ladies in the audience. This
next song we'd like to do in honor of the ladies. And from a title I think
you can tell why.
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Baby face. Oh. I love. your pretty Baby face. Baby face. Face.
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Speaker1: Baby face. Oh, baby face, you got the cutest little baby face.
Oh, no, there's not another one. Could take your place. Baby face. My poor
heart is jumping. You sure have started something. Baby face I'm up in
heaven. When I'm in your fond embrace I didn't need a shove. Cause I just
fell in love with your pretty baby face. I love my baby. I love my baby, my
baby, my baby loves me. I don't know. Don't know nobody as happy as we
were. Only now she's only 20 and I'm 21. We were not. We never worry. We're
just having fun. Sometimes we quarrel, sometimes we quarrel. And maybe we
fight then.
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We make up. But then we make up the following night.
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Speaker1: Now when we're together, we're great company.
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I love my baby. I love my baby, my baby, my.
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Speaker1: Baby loves me. I didn't need a shove. Ah, cause I just fell in
love. With your pretty baby. Pretty little baby, pretty little baby face.
Doodly doo. Wow. wow.
