This collection contains the promptbooks, scripts, and production notes of W. Stephen Coleman (1943-). Dr. Coleman served as a faculty director and professor in the Theatre Arts department at the University of Pittsburgh (1981-2011) and a resident director for the Three Rivers Shakespeare Festival (1983-1992). This collection details both acting and directing projects while in residence in the Pittsburgh area.
Language
English
.
Author
W. Stephen Coleman and Colleen Reilly.
Publisher
ULS Archives & Special Collections
Address
University of Pittsburgh Library System Archives & Special Collections Website: library.pitt.edu/archives-special-collections Business Number: 412-648-3232 (Thomas) | 412-648-8190 (Hillman) Contact Us: www.library.pitt.edu/ask-archivist URL: http://library.pitt.edu/archives-special-collections
Biography
W. Stephen Coleman, Associate Professor and Director of Undergraduate Studies at the University of Pittsburgh, received his Bachelor's and Master's degrees from the University of Oklahoma in the mid 1960's, and his Doctorate from the University of Utah in 1973. As a specialist in Shakespeare in performance and the performance areas of actor-training and directing, he joined the undergraduate and graduate faculty of the University of Pittsburgh in 1981 as head of the then newly created MFA Actor Training Program, a post he held until 1990. Between 1992 and 1999, he served as Chair of the Department of Theatre Arts. He taught at several other universities and colleges, including the University of Texas at Austin, the London International Film School, Carnegie Mellon University, the University of Utah, the University of Oklahoma, and the Oklahoma College of Liberal Arts. He was awarded tenure at Pitt in 1986.
Dr. Coleman continued to work professionally, dividing his time between acting (under the name "Alex Coleman") and directing. In 2006 he played the role of First Messenger in Oedipus the King directed by Ted Pappas for the Pittsburgh Public Theatre. In 2005 he played the role of General Edward Braddock in the PBS/WQED four-part series, The War That Made America. At the University of Pittsburgh Repertory Theatre he played Uncle Peck in Paula Vogel's How I Learned to Drive (2002) and Estragon in Beckett's Waiting For Godot (2001), which he also directed. He also held three roles in the 2001 Season of the Pittsburgh Irish and Classical Theatre: Sly Scully in the American premiere of Marina Carr's Portia Coughlin, Orgon in Tartuffe, and Dr. Hickey in the American premiere of Thomas Kilroy's adaptation of Chekhov's The Seagull. As "faculty guest artist" for the University of Pittsburgh Repertory Theatre he has also performed in such productions as Marat/Sade, playing de Sade, as Frank in Educating Rita, and John Halder in GOOD.
Other Pittsburgh professional stage performances include Reb Nachman and the Judge in the Pittsburgh Public Theatre's The Dybbuk , and both director of and lead in the sold-out run of Anthony Shaffer's Sleuth at Hartwood Acres. While it was a mainstay of Pitt's theatrical scene, Dr. Coleman appeared in over a dozen major roles with the Three Rivers Shakespeare Festival. He has performed with the New York Shakespeare Festival, the National Shakespeare Company, the Montana Repertory Theatre, and several other regional theatres. He is a long-time member of Actors' Equity Association, the Screen Actors Guild, and the American Federation of Television and Radio Artists.
In addition to over 200 roles on the stage, he has played featured roles in a number of films and TV movies including the feature films Achilles' Love, House Guest, Silence of The Lambs (as the unfortunate Sergeant Pembry), The Dark Half, and Street Law, and the made-for-television movies, Alone in The Neon Jungle, What She Doesn't Know, The Ten-Million Dollar Getaway, and many others. He has performed in hundreds of radio and television commercials, and has appeared in numerous industrial films.
Coleman was a prolific director. At the Pitt Repertory Theatre from 2000 to 2006 he staged Old Times, Twelfth Night, the gala production of Much Ado About Nothing for the dedication of the newly renovated Charity Randall Theatre on the Pitt Campus, Arms and The Man, Waiting For Godot (mentioned above), and Little Shop of Horrors. He directed the world premiere of Daniel Frezza's adaptation of Oscar Wilde's The Picture of Dorian Gray (2000) for the Pittsburgh Irish and Classical Theatre. He served as a faculty director for Pitt Repertory Theatre (1982- ) and in 1996 staged a highly acclaimed Hamlet and Rosencrantz and Guildenstern are Dead in repertory.
Between 1983 and 1992 he served as one of two Resident Directors for the Three Rivers Shakespeare Festival (TRSF). His directorial efforts for both TRSF and the University were consistently cited as among the "Top Ten" in Pittsburgh from 1983-2006. He directed for numerous professional theatres in the Pittsburgh region, including the theatre at Hartwood Acres, (Sleuth and One Flew Over the Cuckoo's Nest). He also staged the world premiere of Pennsylvania State Poet Samuel Hazo's Until I'm Not Here Anymore and directed the video adaptation of this work that aired on Public Television.
In addition to his theatrical activities, Dr. Coleman staged readings for the Center for Creative Non-Fiction at the University of Pittsburgh. He was a regular presenter of lectures and workshops on performance subjects related to acting, directing, Shakespearean production, and the development of theatre skills that can be used in the courtroom. During his tenure at the University of Texas at Austin, he was the Founder and Artistic Director of the Gallimaufry Players, producing and directing four summers' worth of free Shakespeare-In-The-Park.
Scope and Content Notes
This collection contains the promptbooks and production materials maintained by W. Stephen Coleman during his residence at the Three Rivers Shakespeare Festival and the University of Pittsburgh Theatre Arts Department. It also includes materials for professional and non-professional acting engagements and directing projects undertaken by Coleman during his Pittsburgh years. Production materials contain rehearsal and director notes, press materials, set and costume designs, and miscellaneous administrative materials. Promptbooks, Production Materials, and Recordings in various formats (audio and VHS video) comprise the bulk of the collection. The collection is arranged in three series: Three Rivers Shakespeare Festival, University of Pittsburgh Repertory Theatre, and Acting and Directing.
Access Restrictions
No restrictions.
Acquisition Information
Gift of W. Stephen Coleman in April, 2011. Additional materials were added in October 2015.
Related Material
Kathleen George Papers, 1962-2014, CTC.2012.02, Curtis Theatre Collection, Archives & Special Collections, University of Pittsburgh Library System
Pittsburgh Irish and Classical Theatre Records, 1997-2015, CTC.2009.02, Curtis Theatre Collection, Archives & Special Collections Department, University of Pittsburgh Library System
Three Rivers Shakespeare Festival Records, 1980-1995, CTC.1995.01, Curtis Theatre Collection, Archives & Special Collections Department, University of Pittsburgh Library System
University of Pittsburgh Theatre Arts Department Records, 1960-1986, CTC.1974.02, Curtis Theatre Collection, Archives & Special Collections Department, University of Pittsburgh Library System
Copyright
The University of Pittsburgh holds the property rights to the material in this collection, but the copyright may still be held by the original creator/author. Researchers are therefore advised to follow the regulations set forth in the U.S. Copyright Code when publishing, quoting, or reproducing material from this collection without the consent of the creator/author or that go beyond what is allowed by fair use.
Arrangement
The papers are organized into three series.
Series I. Three Rivers Shakespeare Festival, 1983-1999
Series II. Pitt Repertory Theatre, 1981-2009
Series III. Acting and Directing, 1981-2011
Processing Information
This collection was processed by Colleen Reilly in January 2006. Additional materials were processed and added to the collection by William Daw in 2015.
Preferred Citation
W. Stephen Coleman Papers, 1981-2011, CTC.2011.01, Curtis Theatre Collection, Archives & Special Collections, University of Pittsburgh Library System
Previous Citation
W. Stephen Coleman Papers, 1981-2011, CTC.2011.01, Curtis Theatre Collection, Special Collections Department, University of Pittsburgh
Subjects
Corporate Names
Pittsburgh Public Theater
Pittsburgh Irish and Classical Theatre
Three Rivers Shakespeare Festival (Pittsburgh, Pa.)
University of Pittsburgh. Department of Theatre Arts
Personal Names
Coleman, W. Stephen
Genres
Personal papers
Faculty papers
Other Subjects
Shakespeare, William, 1564-1616 -- Stage history -- Pennsylvania -- Pittsburgh
Performing arts -- Pennsylvania -- Pittsburgh
College theater -- Pennsylvania -- Pittsburgh
Container List
Scope and Content Notes
This series contains promptbooks and production materials from Pitt Repertory Theatre for which W. Stephen Coleman served as a Faculty Director and Professor of Theatre Arts. This series details the repertory production of Hamlet and Rosencrantz and Guildenstern are Dead (1996), which was submitted to the American College Theatre Festival. The materials related to this production include a letter from playwright Tom Stoppard. Coleman directed the gala production of Much Ado About Nothing (2003) for the opening of the renovated Charity Randall Theatre and Coleman's scenic design and production book for Arms and the Man (2004) are included in this series.
Production materials can include audition forms, director's notes, rehearsal notes, production notes, set and costume designs, administrative information, press materials, photographs, programs, and brochures. Each production has been arranged into its own subseries and are in chronological order.
Scope and Content Notes
Coleman's first production as director at the University of Pittsburgh was the play All the Way Home. It was performed at the Stephen Foster Memorial Theatre, March 4-20, 1982. Production materials include audition forms that were also used for the City Theatre's production of Indians.
Containers
box 5, folder 12
Containers
box 5, folder 13
Containers
box 5, folder 14-15
Containers
box 5, folder 16-18
Containers
box 5, folder 19
Scope and Content Notes
A Phoenix Too Frequent, directed by Coleman, was performed at the Studio Theatre, November 8-10, 15-17, 1982. The play was presented along with Ludlow Fair and the Public Eye, which were directed by Jane Rothman and Lamont Arnold respectively.
Containers
box 5, folder 20
Containers
box 5, folder 21
Containers
box 5, folder 22
Scope and Content Notes
Brecht on Brecht was performed at the Stephen Foster Memorial Theatre, February 11-26, 1983.
Containers
box 6, folder 1
Containers
box 6, folder 2
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box 6, folder 3
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box 6, folder 4-6
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box 6, folder 7
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box 6, folder 8
Containers
box 6, folder 9
Scope and Content Notes
Orpheus Descending was performed at the Stephen Foster Memorial Theatre, March 8-24, 1984.
Containers
box 6, folder 10
Containers
box 6, folder 11
Extent
1 reel-to-reel
Containers
box 6, folder 12
Containers
box 6, folder 13-14
Containers
box 6, folder 15
Scope and Content Notes
The Ruling Class was performed at the Stephen Foster Memorial Theatre, March 21st through April 6th, 1985.
Containers
box 6, folder 16
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box 6, folder 17
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box 6, folder 18
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box 6, folder 19
Containers
box 6, folder 20
Scope and Content Notes
Cloud 9 was performed at the Stephen Foster Memorial Theatre, October 31st through November 16, 1985. It was revived for two special performances in February of 1986 and was performed at the Annual American College Theatre Festival XVIII in Hyattsville, Maryland.
Containers
box 6, folder 21
Containers
box 6, folder 22
Containers
box 6, folder 23-24
Containers
box 6, folder 25-26
Scope and Content Notes
Who's Afraid of Virginia Woolf was performed at the Stephen Foster Memorial Theatre, February 6-28, 1987.
Containers
box 6, folder 27
Containers
box 6, folder 28
Extent
1 cassette_tape7 minutes
Containers
box 7, folder 1
Containers
box 7, folder 2
Containers
box 7, folder 3
Containers
box 7, folder 4
Scope and Contents
The Cherry Orchard was performed at the Stephen Foster Memorial Theatre, October 28 - November 12, 1988.
Containers
box 7, folder 5
Containers
box 7, folder 6-7
Scope and Content Notes
Oresteia was performed at the Stephen Foster Memorial Theatre, March 23rd through April 7th, 1990.
Containers
box 7, folder 8
Extent
1 cassette_tape35 minutes
Containers
box 7, folder 9
Containers
box 7, folder 10-11
Containers
box 7, folder 12
Containers
box 7, folder 13
Extent
1 cassette_tape50 minutes
Containers
box 7, folder 14
Containers
box 7, folder 15-16
Scope and Content Notes
The Changeling: Re/Vision was performed at the Studio Theatre, February 14-29, 1992. Thomas Middleton and William Rowley's 17th century play The Changeling was adapted by Theatre Arts faculty member Dennis Kennedy. The play evolved out of a series of eight workshops during the Fall semester of 1991. The majority of these workshops were recorded and are contained within this section. Also included in this section are video recordings that were used in the production itself.
Containers
box 7, folder 17
Containers
box 7, folder 18-19
Containers
box 8
Extent
3 cassette_tapesVHS
Containers
box 8
Extent
9 cassette_tapesVHS
Scope and Content Notes
A Month in the Country was performed at the Stephen Foster Memorial Theatre, February 12-28, 1993.
Containers
box 8, folder 20-21
Scope and Content Notes
The Rehearsal was performed at the Stephen Foster Memorial Theatre, October 8-23, 1993.
Containers
box 9, folder 1
Containers
box 9, folder 2-3
Scope and Content Notes
Chemin de Fer was performed at the Stephen Foster Memorial Theatre, February 10-25, 1995.
Containers
box 9, folder 4
Containers
box 9, folder 5-6
Scope and Content Notes
Les Liaisons Dangereuses was performed at the Stephen Foster Memorial Theatre, November 7-18, 1993.
Containers
box 9, folder 7
Containers
box 9, folder 8
Containers
box 9, folder 9
Scope and Content Notes
Coleman served as directing supervisor for The Colored Museum. Kenyatta Rogers directed the production. The play was performed February 22nd through March 2nd, 1996 at the Studio Theatre in the Stephen Foster Memorial Theatre.
Containers
box 9, folder 10
Scope and Content Notes
Hamlet and Rosencrantz and Guildenstern are Dead were performed in repertory at the Stephen Foster Memorial Theatre, November 1-23, 1996.
Containers
box 9, folder 11-12
Containers
box 9, folder 13-14
Containers
box 9, folder 15-16
Containers
box 9, folder 17
Extent
1 cassette_tapesVHS
Scope and Content Notes
Noises Off was performed at the Stephen Foster Memorial Theatre, April 1-19, 1998.
Containers
box 10, folder 1
Containers
box 10, folder 2
Containers
box 10, folder 3-4
Scope and Content Notes
Cat on a Hot Tin Roof was performed at the Stephen Foster Memorial Theatre, November 4-22, 1998. This production featured several songs by Pittsburgh native Ernie Hawkins. There are recordings of these songs on audio cassettes in the production materials folder.
Containers
box 10, folder 5
Containers
box 10, folder 6
Extent
3 cassette_tapes
Containers
box 10, folder 7
Containers
box 10, folder 8-9
Containers
box 10, folder 10
Scope and Content Notes
Little Shop of Horrors was performed at the Stephen Foster Memorial Theatre, March 29th through April 16th, 2000.
Containers
box 10, folder 11-13
Containers
box 10, folder 14-15
Scope and Content Notes
Coleman performed in and directed Waiting for Godot. He played the role of Estragon. The play was performed September 19th through October 7th, 2001 at the Henry Heymann Theatre in the Stephen Foster Memorial Theatre.
Containers
box 10, folder 16
Containers
box 10, folder 17-19
Scope and Content Notes
Much Ado About Nothing was performed April 2-19, 2003. It was the inaugural production at the newly renovated Charity Randall Theatre, previously known as the mainstage of the Stephen Foster Memorial.
Containers
box 10, folder 20
Containers
box 11, folder 1
Extent
1 disc25 minutes
Containers
box 11, folder 2-4
Containers
box 11, folder 5-6
Scope and Content Notes
Twelfth Night was performed at the Henry Heymann Theatre, March 31th through April 18th, 2004.
Containers
box 11, folder 7
Containers
box 11, folder 8
Extent
2 discs41 minutes
Containers
box 11, folder 9
Extent
4 discs75 minutes
Containers
box 11, folder 10
Containers
box 11, folder 11-13
Scope and Content Notes
Arms and the Man was performed at the Charity Randall Theatre, November 10-21, 2004.
Containers
box 11, folder 14
Containers
box 11, folder 15
Extent
2 discs102 minutes
Containers
box 11, folder 16-18
Scope and Content Notes
Old Times was performed at the Henry Heymann Theatre, September 21st through October 9th, 2005.
Containers
box 11, folder 19
Containers
box 11, folder 20
Extent
1 disc
Containers
box 11, folder 21
Extent
1 disc34 minutes
Containers
box 11, folder 22
Containers
box 11, folder 23
Containers
box 11, folder 24
Scope and Content Notes
Anton Chekhov's The Proposal, The Wedding, and The Bear were performed at the Charity Randall Theatre, March 21st through April 1st, 2007.
Containers
box 11, folder 25
Containers
box 11, folder 26
Containers
box 11, folder 27-28
Containers
box 12, folder 1-2
Scope and Content Notes
Count Dracula was performed at the Charity Randall Theatre, October 22nd through November 1st, 2009.
Containers
box 12, folder 3
Containers
box 12, folder 4-6
Containers
box 12, folder 7
Scope and Content Notes
This series contains promptbooks and production materials relating to W. Stephen Coleman's acting and directing in the Greater Pittsburgh Area. Productions from City Theatre, Pittsburgh Irish and Classical Theatre, Civic Organizations, Chatham College, and the Pittsburgh Playhouse are included in this series. Acting projects for the Three Rivers Shakespeare Festival and Pitt Repertory Theatre are also included. Please note that there is one non-Pittsburgh production included. In 1981, Coleman performed in a production for the Austin Repertory Theatre, in Austin, Texas.
Production materials can include audition forms, director's notes, rehearsal notes, production notes, set and costume designs, administrative information, press materials, photographs, programs, and brochures. Each production has been arranged into its own subseries and are in chronological order.
Scope and Content Notes
In 1981, Coleman played the part of Robert in this David Mamet play for the Austin Repertory Theatre. He also served as the choreographer for the production.
Containers
box 12, folder 8
Scope and Content Notes
Coleman performed in She Stoops to Conquer as Mr. Hardcastle. The play was performed November 5-21, 1981 at the Stephen Foster Memorial Theatre.
Containers
box 12, folder 9
Containers
box 12, folder 10
Scope and Content Notes
Shakespeare's Swashbucklers was a joint production of the City Theatre Company and Gateway to Music of fight scenes from Shakespeare's plays. Coleman directed the show and it toured Pittsburgh area schools during the 1981-1982 season.
Containers
box 12, folder 11
Scope and Content Notes
Coleman performed in The Merry Wives of Windsor as Frank Ford. The play was performed July 8th through the 24th, 1982 at the Stephen Foster Memorial Theatre.
Containers
box 12, folder 12
Containers
box 12, folder 13
Scope and Content Notes
Coleman performed in Hamlet as Claudius, King of Denmark. The play was performed June 17th through July 3rd, 1982 at the Stephen Foster Memorial Theatre.
Containers
box 12, folder 14
Containers
box 12, folder 15
Scope and Content Notes
Coleman performed in The Tempest as Sebastian. The play was performed July 29th through August 15th, 1982 at the Stephen Foster Memorial Theatre.
Containers
box 12, folder 16
Containers
box 12, folder 17
Scope and Content Notes
Coleman performed in Good as John Halder. The play was performed October 19th through November 12th, 1983 at the Stephen Foster Memorial Theatre.
Containers
box 12, folder 18
Containers
box 12, folder 19
Scope and Content Notes
Coleman directed this industrial show for an ALCOA professional development conference in 1984.
Containers
box 12, folder 20
Scope and Content Notes
Coleman performed in The Merchant of Venice as Antonio. The play was performed June 29th through July 21st, 1984 at the Stephen Foster Memorial Theatre.
Containers
box 12, folder 21
Containers
box 12, folder 22
Scope and Content Notes
Coleman performed in Love Labor's Lost as Ferdinand. The play was performed July 27th through August 19th, 1984 at the Stephen Foster Memorial Theatre.
Containers
box 12, folder 23
Containers
box 12, folder 24
Scope and Content Notes
Coleman performed in Romeo and Juliet as Lord Capulet. He also was the fight choreographer for the production. The play was performed May 31st through June 22nd, 1985 at the Stephen Foster Memorial Theatre.
Containers
box 12, folder 25
Containers
box 12, folder 26
Containers
box 12, folder 27
Scope and Content Notes
Coleman performed in Twelfth Night as Sir Toby Belch. The play was performed June 28th through July 22nd, 1985 at the Stephen Foster Memorial Theatre.
Containers
box 12, folder 28
Containers
box 12, folder 29
Scope and Content Notes
Coleman performed in All's Well That Ends Well as Lafew. The play was performed June 27th through July 20th, 1986 at the Stephen Foster Memorial Theatre.
Containers
box 12, folder 30
Containers
box 12, folder 31
Scope and Content Notes
Coleman performed in King Lear as the Earl of Kent. He also was the fight choreographer for the production. The play was performed July 25th through August 17th, 1986 at the Stephen Foster Memorial Theatre.
Containers
box 12, folder 32
Containers
box 12, folder 33
Scope and Content Notes
Coleman served as the co-host for this City of Pittsburgh public affairs talk show from 1986 through 1995.
Containers
box 12, folder 34
Scope and Content Notes
Coleman performed in Richard III as Lord Stanley, Earl of Derby. He also was the fight choreographer for the production. The play was performed July 24th through August 15th, 1987 at the Stephen Foster Memorial Theatre.
Containers
box 12, folder 35
Containers
box 12, folder 36
Scope and Content Notes
Coleman performed in Educating Rita as Frank. The play was performed November 11-22, 1987 at the Stephen Foster Memorial Theatre.
Containers
box 12, folder 37
Containers
box 12, folder 38
Scope and Content Notes
Coleman performed in Antony and Cleopatra as both Lepidus and Dolabella. The play was performed July 21st through August 12th, 1989 at the Stephen Foster Memorial Theatre.
Containers
box 12, folder 39
Scope and Content Notes
Coleman was an actor and reader for Samuel Hazo's At Last the World Says Yes. This production was performed at Westminster College in February 1992.
Containers
box 12, folder 40
Containers
box 12, folder 41
Scope and Content Notes
Samuel Hazo's play Until I'm Not Here Anymore! was directed by Coleman. This world premiere production was performed at the Fulton Theater, September 1-4, 1992. The production was adapted and filmed for local television. There is a VHS recording included in the subseries.
Containers
box 13, folder 1
Containers
box 13, folder 2-3
Containers
box 13, folder 4
Containers
box 13, folder 5
Extent
1 cassette_tapeVHS, 90 minutes
Scope and Content Notes
One Flew Over the Cuckoo's Nest, was directed by Coleman. The Theatre at Hartwood production was performed August 10-28, 1993.
Containers
box 13, folder 6
Containers
box 13, folder 7
Containers
box 13, folder 8
Scope and Content Notes
Coleman performed in Dybbuk as both Nachman and Judge. The play was performed December 30th, 1993 through February 6th, 1994 at the Theodore L. Hazlett, Jr. Theater.
Containers
box 13, folder 9
Scope and Content Notes
Coleman performed in and directed Sleuth. He played the role of Andrew Wyke. The Theatre at Hartwood production was performed September 14th through October 23rd, 1994.
Containers
box 13, folder 10
Scope and Content Notes
Coleman performed in Marat/Sade as the Marquis de Sade. The play was performed November 5-23, 1997 at the Stephen Foster Memorial Theatre.
Containers
box 13, folder 11
Containers
box 13, folder 12
Scope and Content Notes
Coleman played the part of Constantine Zoras in the film Achilles' Love. The film was shot in Pittsburgh and was released in 2000.
Containers
box 13, folder 13
Scope and Content Notes
This production of The Picture of Dorian Gray was directed by Coleman for Pittsburgh Irish and Classical Theatre. The play was performed August 10-26, 2000 at the City Theatre Mainstage.
Containers
box 13, folder 14
Containers
box 13, folder 15-18
Scope and Content Notes
Coleman appeared in this production of Portia Coughlan as Sly Scully for Pittsburgh Irish and Classical Theatre. The play was performed March 22nd through April 7th, 2001 at the Eddy Theatre at the Chatham College campus.
Containers
box 13, folder 19
Scope and Content Notes
Coleman appeared in this production of Tartuffe as Orgon for Pittsburgh Irish and Classical Theatre. The play was performed June 14-30, 2001 at the City Theatre Mainstage.
Containers
box 13, folder 20
Scope and Content Notes
Coleman appeared in this production of The Seagull as Dr. Hickey for Pittsburgh Irish and Classical Theatre. The play was performed August 9-25, 2001 at the City Theatre Mainstage.
Containers
box 13, folder 21
Scope and Content Notes
Coleman performed in How I Learned to Drive as Peck. The play was performed October 31st through November 10th, 2002 at the Studio Theatre in the Stephen Foster Memorial Theatre.
Containers
box 13, folder 22
Scope and Content Notes
Coleman directed the readings at several of the installments of the Diversity Dialogues Series of the Creative Nonfiction Foundation.
Containers
box 13, folder 23
Containers
box 13, folder 24
Scope and Content Notes
Coleman appeared in this production of Henry IV as the Earl of Warwick for Pittsburgh Irish and Classical Theatre. The play was performed April 20th through May 14, 2005 at the Charity Randall Theatre in the Stephen Foster Memorial Theatre.
Containers
box 14, folder 1
Scope and Content Notes
Coleman played the title character's father in the short film John Dunn's Last Run. The film was shot in the Johnstown area in 2006 and was released by Firefly Entertainment in 2009.
Containers
box 14, folder 2
Scope and Content Notes
Coleman performed in Oedipus the King as Egeon. The play was performed September 28th through October 29th, 2006 at the O'Reilly Theater.
Containers
box 14, folder 3-4
Scope and Content Notes
Coleman performed in Julius Caesar as both Cicero and Volumnius. The play was performed April 11th through 28th, 2007 at the Charity Randall Theatre in the Stephen Foster Memorial Theatre.
Containers
box 14, folder 5
Containers
box 14, folder 6
Scope and Content Notes
Coleman performed in The Comedy of Errors as Egeon. The play was performed October 4th through November 4th, 2007 at the O'Reilly Theater.
Containers
box 14, folder 7
Scope and Content Notes
Coleman performed in Amadeus as Baron Gotfried van Swieten. The play was performed January 24th through February 24th, 2008 at the O'Reilly Theater.
Containers
box 14, folder 8-9
Scope and Content Notes
Coleman directed a staged reading of the August Strindberg play The Father. This performance took place September 22nd, 2008 in the Henry Heymann Theatre. It was a one night only performance and was not a part of the University of Pittsburgh's Theatre Arts Department schedule that season.
Containers
box 14, folder 10
Scope and Content Notes
Coleman performed in a reading of the Todd Kreidler play Stayers and Goers as Mye Peters. This performance took place November 17th, 2008 in the O'Reilly Theater Rehearsal Hall.
Containers
box 14, folder 11
Scope and Content Notes
Coleman performed in Harry's Friendly Service as Carmine Naples. The play was performed May 28th through June 28th, 2009 at the O'Reilly Theater.
Containers
box 14, folder 12-14
Scope and Content Notes
Coleman performed in A Midsummer Night's Dream as Egeus/Peter Quince. The play was performed January 21st through February 21st, 2010 at the O'Reilly Theater.
Containers
box 14, folder 15
Scope and Content Notes
Coleman performed in Camelot as Merlin. The play was performed January 20th through February 20th, 2011 at the O'Reilly Theater.